ÐÏà¡±á>þÿ <Eþÿÿÿ;ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿì¥Áq ¿¾!bjbjt+t+ :AA´ÿÿÿÿÿÿ]ªªªª’’’¦¦¦¦8)"5",¦†ÞÞÞÞÞª¬¬¬¬¬¬$ôû hÐ±’ÐVªªÞÞ4ÞVVV.ªÞÖ†Þª¦¦ªªªªªVzVÐ84È\6ªÞa"àÇh7×À¦¦Dl> Lisa Thorson & Company Performance & Technical Requirements uðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuðuð Any equipment substitutions must be approved at the time of contract. 1. Personnel Lisa Thorson and a quartet (piano, bass, drums, reeds) Computer Aided Real-time Captioning Reporter American Sign Language Interpreter Audio Describer Visual Artist Sound Engineer Lighting Designer Production Manager Production Assistant Presenter will provide Deaf/Blind Interpreters, assisted-listening devices and program information in Braille, large print and on audio cassette as needed. The House Manager and staff must be available to assist patrons with a variety of disabilities. Integrated, disbursed seating for patrons with mobility limitations (i.e. wheelchair users, etc.) is preferred as we have found that patrons learn from each other when they observe how others are experiencing the performance. Stage Requirements and Facility Accessibility uð ðPerformance space: An area no smaller than 20'x16' depending upon the positioning of the canvas uð ðWheelchair ramp to stage area, availability of wheelchair accessible restrooms uð ðDressing rooms: wheelchair accessible Rooms will be locked and secure throughout the duration of the performance as long as personal possessions and instrument cases of the ensemble remain in the room Dressing rooms will be adequately heated and/or air conditioned uð ðTransport dollies will be provided for moving of musical equipment from the loading area to the performance space 3. Sound System: Sound needs depend on the size of the space. The highest quality equipment possible is always preferred. Specific equipment needs are listed below: uð ð ð16 channel mixer uð ð ð2 speakers with elevating stands uð ð ð5 monitors. If possible, 2 separate monitor mixes: one with primarily vocal/piano and the second mix for the reed player to have primarily horn, piano and some vocals. uð 5 microphones 1 vocal microphone (Beyerdynamic TGX 480 is ideal) with wind screen 1 microphone for bass as needed or DI 1 microphone for piano 1 microphone for reed player 1 microphone for emcee or speakers as needed uð ð3 microphone stands with boom set at Lisa's sitting height with boom for piano with gooseneck for the reed player uð ðGrand piano tuned to A-440 uð ðBass amplifier: To be provided by bassist. uð ðDrum Equipment -- Artist will provide a small basic jazz. 4. Lighting uð ðFocused area lighting. Production manager will furnish presenter and technical director with light plot and cue sheet. uð ðPresenter will rent lighting trees if lights cannot be hung above the stage. Additional Equipment uð ðPresenter will provide a projection screen as large as can be accommodated on stage. uð ðArtist will provide a 12'x6' painting canvas to be assembled on-site. 6. Hospitality uð ðNon-alcoholic beverages, water, coffee and tea will be provided to the performers at the place of performance during set-up and throughout the duration of the performance. uð ðDinner will be provided to the Artists and their production staff after set-up and sound check and at the start of the concert. Dinner options should include non-red meat and vegetarian selections including salad and fresh fruit. Please avoid pizza or dishes with lots of cheese or cream sauces. uð ðThe presenter will make every effort to designate a smoking section as far from the stage as possible during set-up, sound check, and throughout the duration of the performance uð ðFive parking spaces adjacent to the performance area for artists with equipment to load-in; additional validated parking for remaining ensemble members. 7. Merchandise Sales uð ðArtist shall have the right to sell records and tapes at all performances Accepted and Agreed: Presenter Siegel Artist Management _____________________________________ ____________________________________ _____________________________________ ____________________________________ (date) (date) 2|~¬®Î ’ ð ô ´ ¸ TVZl p bˆÆÌîô6< ¢^bHL‚†ÜàTVvzx|DHòôø„ª° Ž’Hx~ !!w!²!´!µ!½!¾!8ûøõîçãßÜÙßîÜîÜÖîÜîÜßÜîÜîÜîÜîÜîÜîÜîÜîÜÙßîÜîÜßÎÜßÎÜßîÜîÜîÜîÜßîÜËÜËÜÈÄøÄ>*CJCJCJ5CJOJQJCJCJCJ5CJB*CJ 56B*CJCJOJQJCJCJ5CJH2|~ª¬®ÎLož²ÇÜÝF† ’ ÷îîîî÷îîî÷÷ääääääÚÚäÏäÏä &F*$ ÆàÀ! *$„Ð ÆàÀ! *$„Ð ÆàÀ! $*$ ÆàÀ!*$ ÆàÀ!2|~ª¬®ÎLož²ÇÜÝF† ’ ð ´ V¦ìl 2`b<Æî6 ÈPœÊ^ŒÚH‚ÜTVvxDò„ˆªvýýýýýýýýýýýýýýýýýýýýøýñýìýýéäÝééýýýýýýýýØÑÊÃ¼ý·°©ýýýýýýýýý¤ýýýýý @’ ð ´ V¦ìl 2`b<Æî6 ÈPòæÜÜÌ¾ÜÜ¶¶¶ÜÜ¬¬Üœ &F *$„ ÆXàÀ!Èû *$„Ð ÆàÀ!*$ ÆàÀ! &F *$„ ÆXàÀ! &F *$„ ÆXàÀ!Èû *$„Ð ÆàÀ!*$„¦ÿ„Ð ÆàÀ! &F*$ Æ àÀ!ÀPœÊ^ŒÚH‚ÜTVvxDññññç×ÉÉçççÁ¸®®®Á£ &F*$ ÆàÀ! *$„Ð ÆàÀ! *$ Æ àÀ!Èû*$ ÆàÀ! &F*$„ ÆXàÀ! &F*$„ ÆXàÀ!Èû *$„Ð ÆàÀ! &F *$„ ÆXàÀ!Dò„ˆªvöÐŽ`ØFHx ! 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